Box Office: Alex Garland's 'Civil War' Earns History-Making $25.7M for A24 | THR News Video | from bf hot american s Watch Video

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✓ Published: 16-Apr-2024
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'Civil War' made history for its studio at the box office this weekend. The dystopian action movie came in ahead of expectations and topped the domestic chart with $25.7 million, becoming indie studio A24's biggest opening ever. The $50 million movie about a divided America is a big swing for A24 as it tries to produce bigger movies, marking its most expensive production to date.

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'Civil War' made history for its studio at the box office this weekend. The dystopian action movie came in ahead of expectations and topped the domestic chart with $25.7 million, becoming indie studio A24's biggest opening ever. The $50 million movie about a divided America is a big swing for A24 as it tries to produce bigger movies, marking its most expensive production to date.
⏲ 1:32 ✓ 16-Apr-2024
'Civil War' made history for its studio at the box office this weekend. The dystopian action movie came in ahead of expectations and topped the domestic chart with $25.7 million, becoming indie studio A24's biggest opening ever. The $50 million movie about a divided America is a big swing for A24 as it tries to produce bigger movies, marking its most expensive production to date.
⏲ 1:32 ✓ 16-Apr-2024
'Civil War' made history for its studio at the box office this weekend. The dystopian action movie came in ahead of expectations and topped the domestic chart with $25.7 million, becoming indie studio A24's biggest opening ever. The $50 million movie about a divided America is a big swing for A24 as it tries to produce bigger movies, marking its most expensive production to date.
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Don't Know How — JOSS STONE: MIND, BODY & SOUL | (2004) | music from EMI <br/>Artist: Joss Stone <br/><br/>(D. Pierre, C. Richardson, J. Rzumna, J. Gray)<br/>[Daniel Pierre Music/Concrete Music/EMI Nlackwood Music EMI/Eaggle Note Publishing/Axion Music Publishing Inc. (BMI)/Ooki Spinalton/EMI April Music (ASCAP) Big Boom Entertainment/BMG Music Publishing Canada, Inc. (SOCAN)]<br/><br/>Drums: Cindy Blackman<br/>Bass: Danny P.<br/>Guitar: AJ Nilo & Danny P.<br/>Organ: Raymond Angry<br/>Rhodes: Danny P.<br/>Background Vocals: Betty Wright, Bombshell & Joss Stone<br/>Programming: Mike Mangini & Steve Greenwell<br/>Recorded at Mojo Music, NYC/Right Track, NYC by Steve Greenwell<br/><br/>JOSS STONE - MIND, BODY & SOUL<br/>CD Album by Joss Stone <br/>Performed live at Irving Plaza, New York City, September 9, 2004.<br/>CD Album — Joss Stone - Mind Body and Soul<br/>℗ & © 2004 EMI MUSIC NORTH AMERICA | music from EMI <br/>ALL RIGHTS RESERVED © 2004 EMI MUSIC NORTH AMERICA. PRINTED IN THE E.U. 0724359489728 / CDREL04<br/>music from EMI<br/>SIDE A STEREO<br/>0724359489728 <br/>© RELENTLESS <br/>S-CURVE RECORDS<br/>Virgin<br/>MIND BODY & SOUL <br/>Produced by Mike Managini, Steve Greenberg & Betty Wright except <br/>“Jet Lag” & “Snakes And Ladders” produced by Mike Managini, Steve Greenberg, Betty Wright, Jonathan Shorten & Connor Reeves <br/>“Less Is More” produced by Commisioner Gordon for Songs Of David Productions <br/>“Young At Heart” produced by SALAAMREMI.COM & Betty Wright <br/>“Don't Know How” produced by Mike Managini, Betty Wright, Steve Greenberg & Daniel “Danny P.” Pierre for Universal Exchange <br/> “Torn and Tattered” produced by The Boilerhouse Boys, Steve Greenberg & Betty Wright. <br/>Executive Producer: Steve Greenberg<br/>Engineered by Steve Greenwell except <br/> “Less Is More” engineered by Commisioner Gordon & Jamie Siegel & <br/> “Young At Heart” engineered by Gary “Mon” Noble for A Path To Your Soul (Asst. Engineer: Shomoni “Sho” Dylan) <br/>All songs mixed by Steve Greenberg & Mike Managini at Chung King, NYC except “Torn and Tattered” mixed by Steve Greenwell<br/>Mastered by Chris Gehringer for Sterling Sound NYC<br/><br/>MIND BODY & SOUL ORCHESTRA <br/>Violin: Sandra, Sharon Yamada, Lisa Kim, Tomcarney Myung-HI Kim, Sarah Kim, Fiona Simon, Soohyun Kwon, Laura Seaton, Liz Lim, Jungsun Yoo, Matt Lehmann, Matt Milewsky, Krzysztof Kuznik & Jessica Lee<br/>Violas: Dawn Hannay, Carol Cook, Vivek Kamath, Dan Panner, Kevin Mirkin & Brian Chen <br/>Cellos: Elizabeth Dyson, Jeanne LeBlan, Sarah Selver & Eileen Moon <br/>French Horns: Phyl Myers, Pat Milando & Dave Smith <br/><br/>Jimmy Farkas appears courtesy of Capitol Records <br/>Benny Latimore appears courtesy of BrittanyRecords <br/>Angelo Morris appears courtesy of Ms. B Records <br/>Angie Stone appears co urtesy of J Records <br/>Ahmir “?uestlove” Thompson appears courtesy of MCA Records <br/>Betty Wright appears courtesy of Ms. B Records <br/>Jazzyfatnastees (Tracey Moore & Mercedes Martinez) appears courtesy of S-Curve Records/EMI Music North America <br/>Art Director & Design by David Gorman, Brian Lasley & Aleeta Mayo for HackMart, Inc. <br/>Photography by RogerMoenks <br/>Additional Photography b
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It always felt strange that the Volkswagen Golf R had more power than the fancier (and slightly pricier) Audi S3. But that's no longer the case. Ingolstadt's sports sedan gets a mid-cycle facelift for the 2025 model year that brings more horsepower and some extra torque to boot.<br/><br/>At the heart of the 2025 Audi S3 is an uprated turbocharged 2.0-liter gasoline engine making 328 horsepower and an estimated 310 pound-feet of torque. That's an increase of 22 hp and 15 lb-ft, enough to make the S3 stronger than a Golf R (315 hp and 295 lb-ft)—for now. VW's hot hatch is due for a facelift later this year, so there might be some extra power planned there too. In Europe, there are already special editions with 328 hp, matching the new S3.<br/><br/>The RS3's rear torque splitter trickles down to the lesser performance derivative. The technology enables fully variable torque distribution between the rear wheels. In conjunction with the newly added Dynamic Plus mode, the car sends as much torque as possible to the rear axle for a tail-happy experience. Audi doesn't call it a dedicated drift mode but does mention the S3 now has the tendency to oversteer when the sportiest settings are active.<br/><br/>Elsewhere, the 2.0 TFSI engine idles at 1,300 rpm (up by 200 rpm) for better off-the-line performance and the engineers have made the throttle response even more direct. In addition, the gear ratios are slightly shorter than before and the new S3 upshifts later and downshifts earlier to maintain a higher rpm for greater power availability.<br/><br/>It takes 4.4 seconds to hit 60 mph from a standstill, making it a tenth of a second quicker than the 2024 S3. The top speed remains unchanged, at 155 mph. There are now 235/35 Falken performance tires for the 19-inch wheels, along with bigger front brakes with perforated discs and new two-piston calipers. Audi is also fitting an evolution of the S3's electronic stability control system and stiffer bearings for the wishbone suspension to improve handling.<br/><br/>As before, we only get the four-door flavor in the United States, but the five-door Sportback also gets an update in Europe. There are some subtle styling changes to bring the S3 in line with the recently launched 2025 A3. It gets customizable LED daytime running lights by choosing from four designs via the infotainment system. The taillights show a different animation when you lock/unlock the car, and there are four fresh colors: Ascari Blue, District Green, Arkona White, and Progressive Red.<br/><br/>An ambient lighting package will be standard in the United States but that flat-bottomed steering wheel is going to cost you extra. Unlike the Golf R, there are still plenty of physical buttons below the 10.1-inch touchscreen. With the 2025MY, LED contour lighting has been added to the center console and cup holders. In addition, the new fabric panel for the front doors was laser-cut 300 times and is backlit.<br/><br/>Source: https://www.motor1.com/news/715275/2025-audi-s3-debut-specs/
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Understand — JOSS STONE: MIND, BODY & SOUL | (2004) | music from EMI <br/>Artist: Joss Stone <br/><br/>(J. Stone, B. Wright, A. Morris, M. Mangini, S. Greenberg)<br/>[BMG Music Publishing Ltd. (PRS)/Miami Spice Music (ASCAP)/Miami Spice Music (ASCAP)/Asbelle Music/Famous Music (ASCAP)/Godchildren Music/EMI (BMI)] <br/><br/>Drums: David “Jody” Hill<br/>Bass: Steve Greenwell<br/>Guitar: Angelo Morris<br/>Organ: Timmy Thomas<br/>Wurlitzer: Benny Latimore<br/>Moog: Raymond Angry<br/>Percussion: Ignacio Nuñez<br/>Background Vocals: Betty Wright & Joss Stone<br/>Programming: Mike Mangini & Steve Greenwell<br/>Recorded at Mojo Music, NYC/Chung King, NYC/Hit Factory, Miami<br/><br/>JOSS STONE - MIND, BODY & SOUL<br/>CD Album by Joss Stone <br/>Performed live at Irving Plaza, New York City, September 9, 2004.<br/>CD Album — Joss Stone - Mind Body and Soul<br/>℗ & © 2004 EMI MUSIC NORTH AMERICA | music from EMI <br/>ALL RIGHTS RESERVED © 2004 EMI MUSIC NORTH AMERICA. PRINTED IN THE E.U. 0724359489728 / CDREL04<br/>music from EMI<br/>SIDE A STEREO<br/>0724359489728 <br/>© RELENTLESS <br/>S-CURVE RECORDS<br/>Virgin<br/>MIND BODY & SOUL <br/>Produced by Mike Managini, Steve Greenberg & Betty Wright except <br/>“Jet Lag” & “Snakes And Ladders” produced by Mike Managini, Steve Greenberg, Betty Wright, Jonathan Shorten & Connor Reeves <br/>“Less Is More” produced by Commisioner Gordon for Songs Of David Productions <br/>“Young At Heart” produced by SALAAMREMI.COM & Betty Wright <br/>“Don't Know How” produced by Mike Managini, Betty Wright, Steve Greenberg & Daniel “Danny P.” Pierre for Universal Exchange <br/> “Torn and Tattered” produced by The Boilerhouse Boys, Steve Greenberg & Betty Wright. <br/>Executive Producer: Steve Greenberg<br/>Engineered by Steve Greenwell except <br/> “Less Is More” engineered by Commisioner Gordon & Jamie Siegel & <br/> “Young At Heart” engineered by Gary “Mon” Noble for A Path To Your Soul (Asst. Engineer: Shomoni “Sho” Dylan) <br/>All songs mixed by Steve Greenberg & Mike Managini at Chung King, NYC except “Torn and Tattered” mixed by Steve Greenwell<br/>Mastered by Chris Gehringer for Sterling Sound NYC<br/><br/>MIND BODY & SOUL ORCHESTRA <br/>Violin: Sandra, Sharon Yamada, Lisa Kim, Tomcarney Myung-HI Kim, Sarah Kim, Fiona Simon, Soohyun Kwon, Laura Seaton, Liz Lim, Jungsun Yoo, Matt Lehmann, Matt Milewsky, Krzysztof Kuznik & Jessica Lee<br/>Violas: Dawn Hannay, Carol Cook, Vivek Kamath, Dan Panner, Kevin Mirkin & Brian Chen <br/>Cellos: Elizabeth Dyson, Jeanne LeBlan, Sarah Selver & Eileen Moon <br/>French Horns: Phyl Myers, Pat Milando & Dave Smith <br/><br/>Jimmy Farkas appears courtesy of Capitol Records <br/>Benny Latimore appears courtesy of BrittanyRecords <br/>Angelo Morris appears courtesy of Ms. B Records <br/>Angie Stone appears co urtesy of J Records <br/>Ahmir “?uestlove” Thompson appears courtesy of MCA Records <br/>Betty Wright appears courtesy of Ms. B Records <br/>Jazzyfatnastees (Tracey Moore & Mercedes Martinez) appears courtesy of S-Curve Records/EMI Music North America <br/>Art Director & Design by David Gorman, Brian Lasley & Aleeta Mayo for HackMart, Inc. <br/>Photography by RogerMoenks <br/>Additional Photography by Amy Touma <br/>Hair
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