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`You know Gen Z star Rachel Zegler from her turn as Maria in West Side Story, but the megawatt talent has some highly anticipated projects on the horizon (Shazam! Fury of The Gods, Hunger Games: The Ballad of Songbird and Snake, and Snow White). On the set of Who What Wear, we talked to the actress abouteverything from her photo shoot playlist to the beauty trends she's loving right now.<br/><br/>Director: Stephanie Romero<br/>Director of Photography: Emma Penrose<br/>Camera Operator: Zack Shorrosh<br/>Video Editor: Collin Hughart<br/>Sound Mixer: Ethan Gustavson<br/>VP, Creative: Alexa Wiley<br/>VP, Social: MacKenzie Green<br/>Executive Director, Entertainment: Jessica Baker
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Notice the wild ragtime piano playing at the very start of this poem from the Yukon.<br/><br/>The Shooting of Dan McGrew<br/><br/>Poem by Robert W. Service <br/><br/>A bunch of the boys were whooping it up in the Malamute saloon;<br/>The kid that handles the music-box was hitting a jag-time tune;<br/>Back of the bar, in a solo game, sat Dangerous Dan McGrew,<br/>And watching his luck was his light-o'-love, the lady that's known as Lou.<br/><br/>When out of the night, which was fifty below, and into the din and the glare,<br/>There stumbled a miner fresh from the creeks, dog-dirty, and loaded for bear.<br/>He looked like a man with a foot in the grave and scarcely the strength of a louse,<br/>Yet he tilted a poke of dust on the bar, and he called for drinks for the house.<br/>There was none could place the stranger's face, though we searched ourselves for a clue;<br/>But we drank his health, and the last to drink was Dangerous Dan McGrew.<br/><br/>There's men that somehow just grip your eyes, and hold them hard like a spell;<br/>And such was he, and he looked to me like a man who had lived in hell;<br/>With a face most hair, and the dreary stare of a dog whose day is done,<br/>As he watered the green stuff in his glass, and the drops fell one by one.<br/>Then I got to figgering who he was, and wondering what he'd do,<br/>And I turned my head — and there watching him was the lady that's known as Lou.<br/><br/>His eyes went rubbering round the room, and he seemed in a kind of daze,<br/>Till at last that old piano fell in the way of his wandering gaze.<br/>The rag-time kid was having a drink; there was no one else on the stool,<br/>So the stranger stumbles across the room, and flops down there like a fool.<br/>In a buckskin shirt that was glazed with dirt he sat, and I saw him sway;<br/>Then he clutched the keys with his talon hands — my God! but that man could play.<br/><br/>Were you ever out in the Great Alone, when the moon was awful clear,<br/>And the icy mountains hemmed you in with a silence you most could hear;<br/>With only the howl of a timber wolf, and you camped there in the cold,<br/>A half-dead thing in a stark, dead world, clean mad for the muck called gold;<br/>While high overhead, green, yellow and red, the North Lights swept in bars? —<br/>Then you've a hunch what the music meant. . . hunger and night and the stars.<br/><br/>And hunger not of the belly kind, that's banished with bacon and beans,<br/>But the gnawing hunger of lonely men for a home and all that it means;<br/>For a fireside far from the cares that are, four walls and a roof above;<br/>But oh! so cramful of cosy joy, and crowned with a woman's love —<br/>A woman dearer than all the world, and true as Heaven is true —<br/>(God! how ghastly she looks through her rouge, — the lady that's known as Lou.)<br/><br/>Then on a sudden the music changed, so soft that you scarce could hear;<br/>But you felt that your life had been looted clean of all that it once held dear;<br/>That someone had stolen the woman you loved; that her love was a devil's lie;<br/>That your guts were gone, and the best for you was to crawl away and die.<br/>
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Christopher Nolan is a true pioneer of cinema. If there isn’t a piece of camera equipment he can get his hands on to capture the image he desires, he’ll invent it. The director has become incredibly involved in camera technology, especially when it comes to shooting in the very rare 70mm IMAX format, which he has been experimenting with since working on The Prestige. He is so specific with his sensibilities, that while he was shooting The Dark Knight, he invented a specific lens that was so innovative that directors like J.J. Abrams and Zack Snyder had to get their hands on it. <br/><br/>In an exclusive interview with CinemaBlend’s very own ReelBlend Podcast, the director opened up about how IMAX technology has evolved since working on The Dark Knight, which he shot when the format was experimental at the time. It was so experimental that the filmmaker had to help invent a specific lens for the immense amount of night shots needed to make the nighttime sequences so immersive.
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Former US President Donald Trump faced criticism after sharing a video on his social media platform, Truth Social, depicting the current president and his opponent in the upcoming election, Joe Biden, Tied up in the back of a pickup truck. Trump claimed that the video was captured on Friday (Mar 28), following his attendance at the funeral of New York Police Department (NYPD) officer Jonathan Diller, who tragically lost his life in a traffic stop shooting. <br/> <br/> <br/>#DonaldTrump #JoeBiden #VideoControversy #TruthSocial #PoliticalCriticism #SocialMediaOutrage #PresidentialPolitics #Election2024 #ImageControversy #BidenTiedUp<br/>~HT.178~PR.152~ED.103~GR.121~
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