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Director: Samantha Sussman<br/>Director of Photography: Josh Herzog<br/>Editor: Cory Stevens<br/>Creative Producer: Gabrielle Reich<br/>Producer, On Set: Skylar Economy<br/>Assistant Camera, Camera Operator: Oliver Finley<br/>Assistant Camera, Gaffer: Esteban Veras<br/>Audio: Lily van Leeuwen<br/>Associate Producer: Lea Donenberg<br/>Production Assistant: Erica Palmieri<br/>Production Coordinator: Ava Kashar<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Assistant Editor: Billy Ward<br/>Post Production Coordinator: Ian Bryant<br/>Supervising Editor: Erica DeLeo<br/>Post Production Supervisor: Alexa Deutsch<br/>Associate Director, Video Talent: Meredith Judkins<br/>Associate Talent Manager: Phoebe Feinberg<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri

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Notice the wild ragtime piano playing at the very start of this poem from the Yukon.&#60;br/&#62;&#60;br/&#62;The Shooting of Dan McGrew&#60;br/&#62;&#60;br/&#62;Poem by Robert W. Service &#60;br/&#62;&#60;br/&#62;A bunch of the boys were whooping it up in the Malamute saloon;&#60;br/&#62;The kid that handles the music-box was hitting a jag-time tune;&#60;br/&#62;Back of the bar, in a solo game, sat Dangerous Dan McGrew,&#60;br/&#62;And watching his luck was his light-o&#39;-love, the lady that&#39;s known as Lou.&#60;br/&#62;&#60;br/&#62;When out of the night, which was fifty below, and into the din and the glare,&#60;br/&#62;There stumbled a miner fresh from the creeks, dog-dirty, and loaded for bear.&#60;br/&#62;He looked like a man with a foot in the grave and scarcely the strength of a louse,&#60;br/&#62;Yet he tilted a poke of dust on the bar, and he called for drinks for the house.&#60;br/&#62;There was none could place the stranger&#39;s face, though we searched ourselves for a clue;&#60;br/&#62;But we drank his health, and the last to drink was Dangerous Dan McGrew.&#60;br/&#62;&#60;br/&#62;There&#39;s men that somehow just grip your eyes, and hold them hard like a spell;&#60;br/&#62;And such was he, and he looked to me like a man who had lived in hell;&#60;br/&#62;With a face most hair, and the dreary stare of a dog whose day is done,&#60;br/&#62;As he watered the green stuff in his glass, and the drops fell one by one.&#60;br/&#62;Then I got to figgering who he was, and wondering what he&#39;d do,&#60;br/&#62;And I turned my head — and there watching him was the lady that&#39;s known as Lou.&#60;br/&#62;&#60;br/&#62;His eyes went rubbering round the room, and he seemed in a kind of daze,&#60;br/&#62;Till at last that old piano fell in the way of his wandering gaze.&#60;br/&#62;The rag-time kid was having a drink; there was no one else on the stool,&#60;br/&#62;So the stranger stumbles across the room, and flops down there like a fool.&#60;br/&#62;In a buckskin shirt that was glazed with dirt he sat, and I saw him sway;&#60;br/&#62;Then he clutched the keys with his talon hands — my God! but that man could play.&#60;br/&#62;&#60;br/&#62;Were you ever out in the Great Alone, when the moon was awful clear,&#60;br/&#62;And the icy mountains hemmed you in with a silence you most could hear;&#60;br/&#62;With only the howl of a timber wolf, and you camped there in the cold,&#60;br/&#62;A half-dead thing in a stark, dead world, clean mad for the muck called gold;&#60;br/&#62;While high overhead, green, yellow and red, the North Lights swept in bars? —&#60;br/&#62;Then you&#39;ve a hunch what the music meant. . . hunger and night and the stars.&#60;br/&#62;&#60;br/&#62;And hunger not of the belly kind, that&#39;s banished with bacon and beans,&#60;br/&#62;But the gnawing hunger of lonely men for a home and all that it means;&#60;br/&#62;For a fireside far from the cares that are, four walls and a roof above;&#60;br/&#62;But oh! so cramful of cosy joy, and crowned with a woman&#39;s love —&#60;br/&#62;A woman dearer than all the world, and true as Heaven is true —&#60;br/&#62;(God! how ghastly she looks through her rouge, — the lady that&#39;s known as Lou.)&#60;br/&#62;&#60;br/&#62;Then on a sudden the music changed, so soft that you scarce could hear;&#60;br/&#62;But you felt that your life had been looted clean of all that it once held dear;&#60;br/&#62;That someone had stolen the woman you loved; that her love was a devil&#39;s lie;&#60;br/&#62;That your guts were gone, and the best for you was to crawl away and die.&#60;br/&#62;
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