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In little more than 25 years – so the theory goes at least – one-quarter of the country’s electricity needs will come via homegrown nuclear power. Given the chequered history of attempts to bring through new nuclear, reaching that target by 2050 from the current 15 per cent looks ambitious.<br/>But one place central to turning those aspirations into reality is the Nuclear Advanced Manufacturing Research Centre (AMRC) in South Yorkshire, which sits on land which was once part of Orgreave Colliery.<br/><br/>The facility has been used since 2012 as a base for researchers to test and develop millions of pounds worth of manufacturing innovations for the nuclear industry.<br/><br/>It mostly takes place in a giant open-plan workshop with offices on the top floor which overlook the hive of activity taking place below. It is in these offices where The Yorkshire Post is meeting CEO Andrew Storer.<br/><br/>In the earlier part of his career, Storer, originally from Derby, worked his way up through the ranks at Rolls-Royce to become part of their team tasked with setting up a civil nuclear business.<br/><br/>An initial political push in the early 2010s to find sites around the country for new nuclear power stations – a key factor in the initial establishment of the Nuclear AMRC which had Rolls-Royce as its lead industrial partner – ultimately fizzled out, partly as a consequence of concerns about the 2011 Fukushima nuclear accident in Japan affecting investment decisions.<br/><br/>Storer joined the University of Sheffield-owned Nuclear AMRC in 2015 and was determined to find a viable future for the centre despite the altered political landscape.<br/><br/>It opened up to the nuclear decommissioning market, as well as defence and fusion reactors. The centre also established a supply chain programme called Fit For Nuclear.<br/><br/>Businesses involved in the programme have gone on to win more than £2bn worth of government contracts, safeguarding thousands of jobs.<br/><br/>The centre is also part of the High Value Manufacturing Catapult, a national network of seven specialist industry-focused research centres designed to help turn academic inventions into commercially-viable products.<br/><br/>In early 2022 following meetings with industry figures including Storer, Boris Johnson announced the launch of a new body called Great British Nuclear in a renewed attempt to bring forward projects.<br/><br/>Last week, the Government announced the start of talks with international firms about building a third major new nuclear plant at Wylfa in Anglesey which it is hoped could be similar in scale to also-planned schemes at Sizewell in Suffolk and Hinkley in Somerset. The latter is already under construction but may not open until the early 2030s.<br/><br/>In parallel to the large-scale plans, the UK is also pinning its hopes on what are known as small modular reactors (SMRs) which can be made in factories and involve a cheaper and quicker construction process. It is hoped they could be operational in this country by the mid-2030s.
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GLASGOW. The Burrell Collection.<br/><br/>Discovering Degas: Collecting in the Time of Sir William Burrell is the first-time visitors can see all 23 Degas works from Burrell's original collection at the same time, alongside 28 further world-class paintings, works on paper and sculptures on loan from 13 of the UK and Europe’s finest national and international collections.<br/><br/>Set to be one of the must-see Scottish shows of the summer, Discovering Degas is the first, major exhibition to be held at the museum since it reopened in 2022, after a £68 million refurbishment.<br/><br/>Staged by Glasgow Life, the charity that leads on culture and sport in the city, the exhibition will explore the collecting and buying of Degas artworks by Sir William Burrell and his wife Constance, Lady Burrell, who donated one of the single greatest gifts to the city of Glasgow.<br/><br/>As shown through fascinating letters and other archival material, Burrell is amongst the earliest Scottish collectors to buy works by Degas. Over a 40-year collecting period he bought over 20 artworks spanning the artist’s career, far more than any other UK collector.<br/><br/>By bringing these together with loans from The Barber Institute of Fine Arts, British Museum, The Courtauld, National Museums Liverpool Walker Art Gallery, Museums Northumberland, The National Gallery London, Tate, V&A, Amgueddfa Cymru Museum Wales, Hugh Lane Gallery Dublin, The Hunterian, National Galleries of Scotland and Musée d’Orsay, Paris, Discovering Degas provides an important opportunity to better understand Degas and a unique introduction and fresh perspective on a hugely popular art movement.<br/><br/>Loans are supported by the Weston Loan Programme with Art Fund. Created by the Garfield Weston Foundation and Art Fund, the Weston Loan Programme is the first ever UK-wide funding scheme to enable smaller and local authority museums to borrow works of art and artefacts from national collections.<br/><br/>Pippa Stephenson-Sit, Curator of European Art at Glasgow Life Museums, who co-curated the exhibition, said: “Discovering Degas has been an absolute joy to work on. Degas is one of the finest artists the world has ever seen and one of the founding artists of the Impressionist group.<br/><br/>“He was very fond of Britain and travelled here several times. He cultivated relationships and recognised opportunities for selling his work to British art collectors, who were beginning to develop a taste for modern French art. Sir William had a keen eye for his artworks and collected them for about forty years.<br/><br/>“From modern Parisian life, to horse-racing, to ballet scenes, Degas tirelessly tackled a number of fascinating topics in a way that was entirely his own. His artworks remain extremely popular today, particularly his ballet scenes, but we hope this exhibition offers a chance to learn something new about an intriguing, immensely talented artist. This is a unique opportunity to vi
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The titular team in The Marvels is a group that comes together totally by accident. Thanks to a cosmic anomaly, Brie Larson’s Carol Danvers, Teyonnah Parris’ Monica Rambeau and Iman Vellani’s Kamala Khan find their special light-based powers entangled, and they are basically forced to unite in order to stop what’s causing it. Accidental as the ensemble may be, however, what’s cool about the special unit is the way in which it allows the film to play with very different perspectives on the heroic Captain Marvel.<br/><br/>On one hand, Monica has essentially been neglected by her aunt for the last 30 years, and on the other hand, Kamala is a superfan who dreams of being besties with Carol. It’s a special dynamic, and I brought it up this past weekend when I had the chance to sit down with director Nia DaCosta at the Los Angeles press day for The Marvels. I asked about the impact of the special relationships within the eponymous unit.
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1/3/90; Atlanta, GA; Center Stage Theatre<br/>1/6/90 – included opening comments from Teddy Long regarding his debut later in the show of the new Skyscrapers; featured Jim Ross & Kevin Sullivan on commentary; included the announcement that NWA World Champion Ric Flair, Sting, & Arn Anderson would face NWA TV Champion the Great Muta, Buzz Sawyer, & the Dragon Master in a steel cage match at the next Clash of the Champions, Feb. 6; included Ross conducting an interview with Long in which Long said Sid Vicious had been replaced in the Skyscrapers and was nothing more than a hired hand and that Mark Callous would now be teaming with Dan Spivey; featured a pre-taped segment in which Pro Wrestling Illustrated Editor Bill Apter recognized Gordon Solie as the winner of the Editor’s Award, NWA Tag Team Champion Scott Steiner as the Most Improved Wrestler of the Year, and NWA World Champion Ric Flair as Wrestler of the Year; included Ross conducting an interview with Flair regarding the challenge of NWA US Champion Lex Luger and Sting now being a part of the Horsemen; featured Ross conducting an interview with Ricky Morton & Robert Gibson regarding their return to the NWA and the current tag team scene (Morton’s return after a year absence; Gibson’s return after a 2-year absence); included Ross conducting an interview with NWA US Champion Lex Luger regarding his challenge of NWA World Champion Ric Flair, during which he said he had been a trendsetter since day one, had gained huge success in only four years in the business, and it was inevitable that he would be world champion; featured Ross conducting an interview with Michael Hayes in which he said the Freebirds said they would dominate the 80s and they did and they would do the same in the 90s; he then targetted Brian Pillman & Tom Zenk and said he and Jimmy Garvin would rearrange their faces, finishing by saying there weren’t just two Freebirds but four; included a promo by Woman, alongside Nitron, in which she said she wanted Flair in her camp:<br/>NWA Tag Team Champions Rick & Scott Steiner defeated Pat Rose & Rick Fargo at 2:32 when Rick pinned Fargo with an overhead suplex; prior to the match, Scott took a young fan from the crowd, sat him on the ring apron, and let him hold onto his title belt; during the bout, it was announced the Steiners would put their titles on the line against the masks of Doom at the Clash of the Champions<br/>Bobby Eaton & Stan Lane (w/ Jim Cornette) defeated Ned Brady & Paul Drake at 4:16 when Eaton pinned Drake with one hand following the Rocket Launcher; during the bout, Cornette joined the commentary team<br/>Norman pinned Bob Cook at 3:14 by reversing a sunset flip attempt into a sit-down splash; prior to the bout, Norman cut an insert promo on his giving Woman a painting the following day on The Main Event<br/>Buzz Sawyer & the Dragon Master defeated Ricky Nelson & Rick Ryder at 3:26 when Sawyer pinned Ryder with the splash off the top after Dragon Master dropped Ryder with a jumping to
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