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‘Shaitaan’ movie review: R Madhavan makes the mean monster shine opposite Ajay Devgn in this horror show.<br/>Backed by a poignant premise and powerful performances, director Vikas Bahl generates some genuine moments in eerie situations but surprisingly shows a straight bat in the slog overs.<br/>The film is a remake of the Gujarati horror film Vash (2023). Janki Bodiwala reprises her role from the original here. Kabir (Ajay Devgn) and Jyoti (Jyotika), along with their teenage daughter Jahnvi (Janki Bodiwala), and son Dhruv (Anngad Raaj) drive away to their remote farmhouse to spend some quality time. Their tranquillity shatters when a stranger. Vanraj Kashyap (R Madhavan), enters their world. He somehow takes complete control of Jyoti’s will and makes her a slave of sorts. She harms herself, almost kills her brother, slaps her father and fights with her mother. All this is brought out in visceral detail. The viewer is spared nothing. Kabir and Jyoti try vainly to get Janhvi to listen to them but to no avail. Things keep escalating. Vanraj wants to take away Janhvi but he would only do so with their explicit permission. We learn that he’s an evil tantrik who wants to take over the world. And must sacrifice a bevy of girls to do so. He succeeds in luring Janhvi away and now it’s up to Kabir to save her and other girls from being killed.<br/><br/>The film starts with a disclaimer that the film isn’t propagating superstition and then proceeds to do so for the next two hours. Vanraj equates himself to God, claims he can control anyone if he deems fit and indulges in the sort of mumbo jumbo even street magicians will steer clear off. The climax scene, which showcases mass hypnotism, features young girls all eager to throw themselves in a pyre. There’s no backstory as to why he’s become this instrument of evil. He’s made to spout some nonsense about controlling the life of everyone in the world and we’re supposed to believe that.<br/><br/>Ajay Devgn played a laid-back man who uses his wits to save his family in the Drishyam franchise and kind of steps back into the Drishyam mould again in this film. He’s perfectly cast as the super caring dad who keeps a close watch on his children but gives them ample freedom at the same time. He brings out the helplessness and dedication of a loving father who would do it all to save his world from falling apart perfectly well and looks good in action scenes as well. Jyothika, seen in a Hindi film after aeons, is cast as a caring mother who fights like a wounded lioness when it comes to saving her daughter. Her reactions look totally genuine. She uses her body language and expressive eyes to convey a range of emotions. She shares a good rapport with Ajay Devgn. It’s good to see middle-aged stars being cast together and acting their age. It’s a step in the right direction indeed. Madhavan and Jyothikha have acted in romantic comedies like Dumm Dumm Dumm (2001) and Priyamaana Thozhi (2003) earlier and have a reunion of sorts in Shaitaan. But
⏲ 2:8:9 👁 24.9M
Kinjal Rabari Official
⏲ 5 minutes 44 seconds 👁 290.2K
Jannat Music Patan
⏲ 5 minutes 45 seconds 👁 319.7K
No matter how a terrible place the world is, there is always someone who proves that the good always wins. Maybe that’s the first and only chance given by a fate that has never been fair to you. The name of that chance that will change the fate of eighteen-year-old high school student Eylul (Oyku Karayel) is Ali Asaf Denizoglu (Gokhan Alkan). The story begins in a high school of a town in the Aegean region. After the two part ways, they cross paths again on the roof of Istanbul’s best hospital! The young brain surgeon Eylul tells her story while she gives a good beating to a group of bullies who raids the hospital’s emergency room. She was a rebellious girl who had changed schools many times and whom teachers didn’t want to deal with. Even when her father picked her up from the last school she got expelled from and beat her very bad, she did not shed a single teardrop. However, that day her whole life changes; the prayer of her grandmother, who ran a small hostel in Marmaris and opened her house to Eylul brings a miracle. \
⏲ 11:40 👁 18.8M
Harfanmaula Films
⏲ 3 minutes 20 seconds 👁 26.1M
R2 Digital
⏲ 8 minutes 30 seconds 👁 1.5M
45 MINS x 8 EPS.| 2024 | FAMILY,<br/><br/>DIRECTOR:TENG CONG-CONG<br/>CAST: MA YI-LI, ZHOU YI-RAN, YU SHI, HUANG XIAO-JUAN<br/><br/>Li Wenxiu, a Han girl who grew up in a small village in Altay, is determined to pursue her literary dream in a big city. However, she repeatedly faces obstacles and is forced to return to her hometown, where she relies on her mother's provision store for a living. After getting acquainted with a Kazakh boy Batay, Wenxiu gradually discovers the beauty of the local area and follows a nomadic Kazakh family into the pastoral area. Life in the pastoral area is very difficult, but Wenxiu, who is pursuing her dreams wholeheartedly, finds creative inspiration in the magnificent nature of northern Xinjiang, and gradually develops feelings for Batay. Unfortunately, her romantic endeavors are fraught with setbacks, and she hesitates to express her true feelings, leading to numerous misunderstandings with Batay. Under constant cultural collision and natural enlightenment, Wenxiu confronts her inferiority complex and figures out where she truly belongs and who she really is. In the end, Wenxiu musters up the courage to confess to Batay and her love is reciprocated, and her literary work is also finally published. .
⏲ 0:41 👁 1.5M
VM DIGITAL
⏲ 7 minutes 44 seconds 👁 22.8M
super knowledge
⏲ 6 seconds 👁 285.2K
★★★More clips are available★★★ <br/> <br/>iMBC <br/>https://program.imbc.com/choi4men <br/> <br/>WAVVE <br/>https://www.wavve.com/player/vod?programid=M_1000835100000100000 <br/> <br/>ⓒ MBC&iMBC 무단 전재, 재배포 및 이용(AI학습 포함) 금지
⏲ 2:13 👁 5.4M
Jannat Video Patan
⏲ 4 minutes 28 seconds 👁 1.8M
Jannat Video Patan
⏲ 5 minutes 36 seconds 👁 1.1M
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